theimpossiblecool:

"I believe in my mask — the man I made up is me."
Sam Shepard.

theimpossiblecool:

"I believe in my mask — the man I made up is me."

Sam Shepard.

blankonblank:

Miss Piggy and Alice Cooper, 1978

blankonblank:

Miss Piggy and Alice Cooper, 1978

(via vintage-visuals)

weirdvintage:

Henri de Toulouse-Lautrec as Artist and Model by Maurice Gilbert, 1892 (via)

weirdvintage:

Henri de Toulouse-Lautrec as Artist and Model by Maurice Gilbert, 1892 (via)

(via weirdvintage)

kateoplis:

"I think anyone who’s perfectly happy isn’t particularly funny."
Joan Rivers, 1933-2014

kateoplis:

"I think anyone who’s perfectly happy isn’t particularly funny."

Joan Rivers, 1933-2014

(via bookoisseur)

It would be a terrible mistake to go through life thinking that people are the sum total of what you see. Jonathan Tropper, This is Where I Leave You (via wordsnquotes)

(via wordsnquotes)

I used to think I was the strangest person in the world but then I thought there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do. I would imagine her, and imagine that she must be out there thinking of me too. Well, I hope that if you are out there and read this and know that, yes, it’s true I’m here, and I’m just as strange as you. — Frida Kahlo (via hqlines)

silentauroriamthereal:

nofreedomlove:

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Source

"Image Credit: Carol Rossetti

When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."

Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

"I see those situations I portray every day," she wrote. "I lived some of them myself."

Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.

One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.

It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.

"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.

Oooh. I reblogged a partial version of this recently but I didn’t know how many more there were! I LOVE these!

(via bookoisseur)

People disappeared, reappeared, made plans to go somewhere, and then lost each other, searched for each other, found each other a few feet away. — F. Scott Fitzgerald, The Great Gatsby (via wordsnquotes)

(via wordsnquotes)

aconversationoncool:

The only known photo of J.D. Salinger working on ‘Catcher in the Rye’ during WWII.

aconversationoncool:

The only known photo of J.D. Salinger working on ‘Catcher in the Rye’ during WWII.